Generic booking tools were written for salon chairs and tennis courts. They cannot price a lockout, they have never heard of a vocal booth, and they bill you monthly per seat for a calendar you already owned. Legacy's booking engine was built for rooms that get booked by the hour, overnight, at the weekend, with an engineer attached.

Every generic booking tool makes you describe a mastering suite as a “service” with a “duration”, because it was designed for appointments. Studios do not sell appointments. They sell rooms, and rooms differ.
Legacy models what you actually rent. Each room has a real type, its own capacity, its own square footage, its own photos and its own rates — a live room and a vocal booth are separate products and are priced as such.
Hourly, half-day and full-day rates on every room — and the day rates behave as caps, not as separate products. The moment a nine-hour booking would cost more than your day rate, the engine charges the day rate. You will never quote a client more than your own ceiling by accident, which is exactly the mistake an hours-only calendar makes for you.
Add-ons carry the four pricing shapes a studio genuinely needs, so engineer time, extra musicians, gear hire and a runner are all priced correctly instead of being flattened into one flat fee.
The window wraps midnight, and only the hours actually inside it are charged.
This is the part no general-purpose tool does, and the part studios ask for first. Advanced booking is included with Pro, and it is where the engine starts pricing the way your rate card already works.
After-hours is a real window, not a tag. Set it to 22:00–06:00 and it wraps midnight correctly; the engine measures how much of the session actually falls inside the window to the quarter-hour and charges a percentage uplift, a flat lockout fee, or both — with its own minimum booking length. Weekend surcharges apply as a percentage of the base. Turnaround buffers hold a gap between sessions so a band does not load in over the last one's load-out. Deposits take a percentage up front, so a diary full of confirmed bookings is worth something.
Friday, 7:00 PM — 1:00 AM · Studio A · 3 people
The same pricing engine runs on your public page, in your Control Room and on the server. There is no marketing price and real price to reconcile afterwards, and no rounding argument on the day.
The artist sees an itemised quote before they send anything — the session, the after-hours portion with the hours it applied to, the weekend surcharge with its percentage, the add-ons, the deposit due now and the total. You receive a request you already agree with instead of an opening position.
On Basic booking every session is request mode: it arrives pending and waits for you to confirm or decline. On Advanced you can switch a room to instant booking with auto-confirm when you would rather the calendar just fill.
Either way each booking carries a real status for its whole life — pending, confirmed, declined, cancelled, completed, no-show. That history is the difference between a diary and a record of how your studio is actually performing, and it is what feeds your analytics.
Type, capacity, size, photos and gear for each space you rent out.
Hourly, half-day, full-day, and anything you charge on top.
Minimums, increments, lead time, cancellation policy — plus lockout and weekend rates on Pro.
The booking panel appears on your public page and requests start arriving.
Every studio that has tried to run bookings on a general-purpose scheduler has hit the same wall. These are not edge cases — they are Tuesday.
| What a studio needs | Generic booking software | Legacy |
|---|---|---|
| Overnight lockout sessions | No concept of a time-of-day rate. You quote manually, or you lose the uplift. | After-hours window that wraps midnight, priced to the quarter-hour, with its own minimum. |
| Weekend rates | Usually a separate duplicate service, priced by hand. | A weekend surcharge percentage applied automatically to the base. |
| Day-rate ceilings | Hours × rate. A nine-hour booking quietly bills above your day rate. | Half-day and full-day rates applied as caps the moment they beat hourly. |
| Real room types | “Service” and “duration”. Your mastering suite is a dropdown item. | Ten studio room types, with capacity, size, gear and photos on each. |
| Load-in and load-out | Back-to-back slots, because a haircut has no turnaround. | An enforced buffer between sessions that you set. |
| Engineer, gear and extra musicians | One flat add-on price, if add-ons exist at all. | Add-ons priced flat, per hour, per session or per person. |
| Being found by artists | None. It is a calendar — the traffic is entirely your problem. | The booking engine sits on a directory page already built to rank in your city. |
| What it costs | A monthly per-seat SaaS bill, plus a booking fee in many cases. | Basic free. Advanced included with Pro. No commission on your sessions, ever. |
A studio page, a city page and a state page — all built to rank, with the structured data Google reads.
Read moreEvery enquiry from your listing lands in one inbox, with a status you can actually work through.
Read moreModerated artist reviews on your listing, your public reply, and a rating that feeds your search result.
Read moreViews, clicks and enquiries over 7, 30 or 90 days — evidence instead of a feeling.
Read morePut your studio at the top of your city for a set window — scheduled, scoped and measured.
Read moreTake ownership of a listing that is already live, then verify to earn the badge artists filter for.
Read moreListing is free, takes a few minutes, and every feature above is on the page from the day you publish.